[et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb60px|0px|80px|35px|false|false\u00bb custom_padding=\u00bb0px|0px|0px|0px|false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb width=\u00bb100%\u00bb max_width=\u00bb2560px\u00bb custom_margin=\u00bb0px|0px|0px|0px|false|false\u00bb custom_padding=\u00bb0px|0px|0px|0px|false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|0px|0px|0px|false|false\u00bb custom_padding=\u00bb0px|0px|0px|0px|false|false\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ admin_label=\u00bbsection\u00bb _builder_version=\u00bb4.16″ custom_margin=\u00bb0px|12%|0px|12%|false|false\u00bb custom_padding=\u00bb0px|0px|0px|0px|false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|0px|0px|0px|false|false\u00bb custom_padding=\u00bb0px|0px|0px|0px|false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|0px|60px|0px|false|false\u00bb custom_padding=\u00bb0px|0px|0px|0px|false|false\u00bb hover_enabled=\u00bb0″ global_colors_info=\u00bb{}\u00bb sticky_enabled=\u00bb0″]<\/p>\n
2020
Video projection and audio<\/p>\n
Paesaggio con rovine e scene pastorali<\/em><\/strong> One Voice, One Image [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ admin_label=\u00bbrow\u00bb _builder_version=\u00bb4.16″ background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb width=\u00bb100%\u00bb max_width=\u00bb2560px\u00bb custom_margin=\u00bb0px|0px|0px|0px|false|false\u00bb custom_padding=\u00bb0px|0px|0px|0px|false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][et_pb_text _builder_version=\u00bb4.19.4″ background_color=\u00bbrgba(0,0,0,0)\u00bb background_size=\u00bbinitial\u00bb background_position=\u00bbtop_left\u00bb background_repeat=\u00bbrepeat\u00bb custom_padding=\u00bb|50px|||false|false\u00bb custom_padding_tablet=\u00bb|0px|||false|false\u00bb custom_padding_phone=\u00bb|0px|||false|false\u00bb custom_padding_last_edited=\u00bbon|desktop\u00bb hover_enabled=\u00bb0″ global_colors_info=\u00bb{}\u00bb sticky_enabled=\u00bb0″]<\/p>\n In the late seventies, Andy Warhol invited his secretary and his friends (Victor Hugo, Ronnie Cutrone or Walter Steding) to create the Piss Paintings<\/em><\/strong> and the Oxidation Paintings<\/em><\/strong>. They consisted of spreading on the canvases, and from their inner entrails, as if they had a brush in hand, the urine that had been accumulated throughout the day or night.\u00a0<\/p>\n Some fabrics had been coated with metallic copper primer. Scattered on the floor of the Factory, they received \u2014just like D\u00e1nae\u2014 the golden shower…, and Voil\u00e0, finished works!…, surfaces of greenish and orange oxidations, organic forms, gestures of the genre that undoubtedly give shape and character to the work.\u00a0\u00a0<\/p>\n The Flemish painter Cornelis van Poelenburgh, lived in\u00a0 Rome during the early seventeenth century. He settled there in search of the beautiful ideal of the landscape, and like his contemporary Giovanni Battista Agucchi, who theorized on the subject, he delved into that natural world on the outskirts of the Eternal City, creating the work that we now contemplate .\u00a0<\/p>\n What we see is a painting certainly protected by the sculpture of a vestal that makes us direct our gaze from above towards the world of the plain. In the middle of an archaeological encounter with classical capitals and cornices, on the left margin, a man urinates on these sacred stones\u2026 perhaps just like Andy’s friends, thinking about how uric acid and its immediate action on the marbles could affect them and transform the purity, greatness and triumphant glory of the past in a spell that is surreptitiously marked in a corner.\u00a0<\/p>\n Cornelis, known as Satyr among his comrades the Bamboccianti<\/em>, to the dessert defender of the arte della sregolatezza<\/em>, that is, the art of debauchery, proposes us this urinating sculptor, who, without a chisel in his hand, is capable of renewing and dissolving the classical ideal into another matter or into other forms more liberating.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.16″ custom_padding=\u00bb|||\u00bb global_colors_info=\u00bb{}\u00bb custom_padding__hover=\u00bb|||\u00bb][dmg_masonry_gallery gallery=\u00bb1553,1554,1555″ columns=\u00bb1″ images_size=\u00bbdmg_image_large\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|0px|0px|0px|false|false\u00bb custom_padding=\u00bb0px|0px|0px|0px|false|false\u00bb global_colors_info=\u00bb{}\u00bb][\/dmg_masonry_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.16″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" < \u00a0On Cornelis 2020Video projection and audio Paesaggio con rovine e scene pastoraliCornelis van PoelenburghOil on wood panel39 x 31.3 cm1621-1623 ca.INVT: CF2Ariccia, Palazzo Chigi. Coleccion Ferrari One Voice, One ImageCreated and Curated by Mar\u00eda Virginia JauaEACC (Castell\u00f3) and Centro Conde Duque, MadridIn the late seventies, Andy Warhol invited his secretary and his friends (Victor […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-page-builder-no-sidebar.php","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":""},"_links":{"self":[{"href":"http:\/\/www.alvaroperdices.com\/en\/wp-json\/wp\/v2\/pages\/1398"}],"collection":[{"href":"http:\/\/www.alvaroperdices.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.alvaroperdices.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.alvaroperdices.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.alvaroperdices.com\/en\/wp-json\/wp\/v2\/comments?post=1398"}],"version-history":[{"count":10,"href":"http:\/\/www.alvaroperdices.com\/en\/wp-json\/wp\/v2\/pages\/1398\/revisions"}],"predecessor-version":[{"id":2189,"href":"http:\/\/www.alvaroperdices.com\/en\/wp-json\/wp\/v2\/pages\/1398\/revisions\/2189"}],"wp:attachment":[{"href":"http:\/\/www.alvaroperdices.com\/en\/wp-json\/wp\/v2\/media?parent=1398"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Cornelis van Poelenburgh
Oil on wood panel
39 x 31.3 cm
1621-1623 ca.
INVT: CF2
Ariccia, Palazzo Chigi. Coleccion Ferrari<\/p>\n
<\/em><\/strong>Created and Curated by Mar\u00eda Virginia Jaua
EACC (Castell\u00f3) and Centro Conde Duque, Madrid<\/p>\n